ABOUT
Ceramic Designer/maker
HISTORY
PROFESSIONALISM
I first discovered my passion for clay at the age of 17, when I joined an evening pottery class and became captivated by the art of throwing. This early experience led me to pursue a degree in Ceramic Design in Stoke-on-Trent, where I was fortunate to study under inspiring tutors, such as Derek Emms, who deepened my appreciation for the traditional craft of studio pottery.
Over the years, I’ve worked as a designer within the ceramic industry and taught ceramics in colleges, sharing my knowledge and enthusiasm with aspiring artists. Today, I run my own studio in the Stoke on Trent area, where I create bespoke designs for interior design companies and develop my own range of ceramic pieces. Alongside my practice, I continue to teach and mentor the next generation of ceramic artists, keeping the spirit of studio pottery alive.
TEACHING AND WORKSHOPS
With years of experience teaching ceramics across Further Education colleges—from entry level to HND—I bring a deep understanding of both the technical and creative aspects of clay. My passion lies in sharing throwing techniques, offering one-to-one tuition in my workshop near Stoke-on-Trent. Whether you're a complete beginner or an advanced practitioner, I tailor sessions to suit your skill level and artistic goals.
I specialise in alternative firing methods, including Raku, Smoke Firing, and Saggar Firing. My workshops provide not only the thrill of a live Raku firing but also hands-on insight into kiln building and firing techniques. These immersive experiences are designed to deepen your connection to the ceramic process and expand your creative possibilities.
CURRENT WORK
My work explores the expressive potential of clay through both thrown vessels and sculptural figurative forms. I’m drawn to the material’s inherent versatility—its ability to shift from fluid to solid, from raw earth to refined object.
Each piece is a dialogue between form and surface. I employ a range of finishing techniques, from virtuous slips and glazes to the unpredictable alchemy of saggar firings. These processes allow for both control and spontaneity, revealing textures and tones that echo the elemental nature of clay itself.
Rooted in a deep respect for traditional craftsmanship and experimental firing methods, my practice is a continuous exploration of clay’s transformative power.
